Erik Satie [1866 - 1925] • Avant–dernières pensées, transscribed for string trio by C.v.Wrochem [1915/2011] 6’
I. Idylle, à Debussy
II. Aubade, à Paul Dukas
III. Méditation, à Albert Roussel
Moderation I
Roman Haubenstock-Ramati [1919 - 1994] • Multiple I for two string players [1969] 8'50’'
Moderation II
René Leibowitz [1913 - 1972] • Impromtu for violin solo, posthum 4’
Xiaoyong Chen [*1955] • String Trio [1987/88] 12’
Moderation III
Betsy Jolas [*1926] • Remember for viola and cello [1971] 5’
Julio Estrada [*1943] • Yuunohui’ensemble for violin, viola and cello op. E.18n [1983-1990] 10'30’'
Stefan Häussler - violine
Simone Heilgendorff - viola
Claudius von Wrochem - cello
Sharleen Revia [*1996] • Glimpse of Light [2020] <UA>
Daniel Sorgatz [*1996] • Streichquartett Nr. 1 [2020] <UA>
Mi-Hyun Woo [*1980] • The Play of Light for String Quartet 48'
Due to the pandemic the concert will be streamed live. Details are already posted on FaceBook
György Kurtág [*1926] • Quartetto per archi op. 1 [1959]
Georg Friedrich Haas [*1953] • String Quartet No. 2 [1998]
Giorgio Netti [*1963] • ) place ( for prepared string quartet (ciclo dell' assedio) [2001]
Due to the pandemic the concert will be streamed live. Details are already posted on FaceBook
This concert fell victim to the nationwide cancellation of cultural events due to the pandemic. As the Hölderlin exhibition is going to be extended into 2021 there is a chance that Stuttgart audiences will be able to listen to the programme in 2021.
As part of the Hölderlin exhibition
Music:
Luigi Nono and Hans Zender
Kairos Quartett
Angelika Luz, soprano
Moderation: PD Dr. Simone Heilgendorff
Promoter: Hugo-Wolf-Akademie Stuttgart in cooperation with the Württembergische Landesbibliothek
In accordance with Covid19 regulations we had to cancel this concert. We are very sorry about any inconvenience this short term cancellation may have caused.
George Crumb [*1929] • Black Angels. 13 Images from the Dark Land (Images I) for electric string quartet [1970] 20'
Dongryul Lee [*1978] • Unending Rose [2017-19] 40’ UA
This programme is under the banner of fundamental human questions about time, space, and the forces motivating each of us.
We decided to place the shortest piece by the Islandic composer Gunnar Karel Másson at the center – which is literally left to the audience as the string quartet is positioned at the sides of the theatre, whispering and knocking and playing. Lee's sombrely "red" opus magnum, a kind of musical rosary which employs complex algorithms in order to generate scales, harmonies, and even tuning systems hitherto unknown comes first. Crumbs magic dark classic for electric string quartet whose players also perform on a significant number of additional instruments bears the subtitle “in tempore belli” referring to the War in Vietnam. As a lament in 13 short movements with citations of Schubert and sounds akin to attack helicopters the work draws from many sources and creates a unique mesmerizing athmosphere one will not forget.
With the support of the Ministry of Science, Research and Culture of the Land Brandenburg.
Program:
Gunnar Karel Másson [*1984] • Pansonicon 1.1 b [2010] 10'
George Crumb [*1929] • Black Angels. 13 Images from the Dark Land (Images I) for electric string quartet [1970] 20'
Intermission
Dongryul Lee [*1978] • Unending Rose [2017-19] 40’ UA
This programme pays tribute to fundamental questions about Time, Space and the forces we are all subjected to.
The shortest piece, Pansonicon, a made-up word derived from pan = total, encompassing and sonare = to sound, by the young Icelandic composer Gunnar Karel Másson asks for the placement of the musicians on the four sides of the hall and makes use of whispering voices and knocks. It sits between Lee's strictly acoustical sombre-„red“ opus magnum, a kind of musical rosary which employs algorithmic methods for the generation of hitherto unknown scales and harmonies – and Crumbs magical and dark classic for electric string quartet and a substantial number of additional instruments. With the line “in tempore belli” the score hints at its creation during the Vietnam war.
1heit – 4fach
Thomas Buchholz [*1961] • Krunk für Streichquartett [2005]
Morton Feldman [1926 - 1987] • Structures [1951]
Christian FP Kram [*1968] • Dialogisch
Thomas Leppuhr [*1966] • Choralbearbeitung [1966]
Gabriel Iranyi [*1946] • Streichquartett Nr. 5
Knut Müller [*1963] • Thorn für Streichquartett [1996]
1heit – 4fach
Thomas Buchholz [*1961] • Krunk für Streichquartett [2005]
Morton Feldman [1926 - 1987] • Structures [1951]
Christian FP Kram [*1968] • Dialogisch
Thomas Leppuhr [*1966] • Choralbearbeitung [1966]
Gabriel Iranyi [*1946] • Streichquartett Nr. 5
Knut Müller [*1963] • Thorn für Streichquartett [1996]
Im Labor der 16 Saiten
Thomas Buchholz [*1961] • Krunk für Streichquartett [2005]
Christian FP Kram [*1968] • Dialogisch
Sergej Newski [*1972] • Drittes Streichquartett [2009]
Gabriel Iranyi [*1946] • Streichquartett Nr. 5
Knut Müller [*1963] • Thorn für Streichquartett [1996]
Das Konzert wird von ausKlang e.V. und der Dezentralen Kulturarbeit des Kulturamts Steglitz/Zehlendorf gefördert.
Due to the Corona epidemic the Kairos Quartet will concentrate on studio work and the preparation of their 25th anniversary 2021. Our recitals resume in September 2020.
Thomas Buchholz [*27.08.1961] • Krunk für Streichquartett [2005]
Morton Feldman [1926 - 1987] • Structures [1951]
Christian FP Kram [*1968] • Dialogisch
Thomas Leppuhr [*1966] • Choralbearbeitung [1966]
Gabriel Iranyi [*1946] • Streichquartett Nr. 5
Knut Müller [*1963] • Thorn für Streichquartett [1996]
Taming Dragons
Si Ang Chen • Prime Blossom (German Premiere)
Xiaoyong Chen • String Quartet No.3
Keeyong Chong • 3rd String Quartet - Inner Mirror (German Premiere)
Unsuk Chin • ParaMetaString
Pre-Concert talk at 7:45 p.m.
Portrait Concert I for Unsuk Chin
Unsuk Chin [*1961] • ParaMetaString [1995/96]
Other compositions by Unsuk Chin performed by members of the NDR Symphony Orchestra
Chino Toledo (Philippines) • N.N. for er-hu and string quartet - WP
Li Yi Guo (China) • N.N. for gu zheng and string quartet - WP
Jia Guo Ping (China) • N.N. for pipa and string quartet - WP
Dr. Sayyid (Malaysia) • N.N. for string quartet - WP
Unsuk Chin (South Korea/GER) [*1961] • ParaMetaString for string quartet and tape [1995/96]
Kairos Quartet with Qi Jie (Pipa, China), Yang Sue (Erhu, China), Yun Xiang (Guzheng, Malaysia)
Open Rehearsals
Chino Toledo (Philipines) new work for er-hu with string quartet
Li Yi Guo (China) new work for gu zheng with string quartet
Jia Guo Ping (China) new work for pipa with string Quartet
Dr. Sayyid String quartet (festival director and program director of Taylor University)
in einer 40minütigen Performance improvisieren die Malerin Astrid Rieder mit der unteren Hälfte des Kairos Quartetts, der Bratschistin Simone Heilgendorff und dem Cellist Claudius von Wrochem, gemeinsam – jede/r in ihrem/seinem Metier.
Das von Astrid Rieder entwickelte und erstmalig in Berlin vorgeführte Konzept Genre-übergreifender Improvisation führt zu einem Gesamtkunstwerk; Bild und Aufnahme können erworben werden.
Im Anschluss gibt es die Gelegenheit zu einem Gespräch mit den Künstlern. Ein Interview und Auszüge der Veranstaltung werden auch im österreichischen Privatradio zeitversetzt gesendet.
Eintritt individuell
A joint improvisation lasting 40 minutes by the visual artist Astrid Rieder and the lower half of the Kairos Quartet, namely violist Simone Heilgendorff and cellist cellist Claudius von Wrochem, will lead to a Gesamtkunstwerk; it is the first Berlin instalment of her interdisciplinary concept of mutual improvisational exchange. Painting and recording of the event can be purchased.
You are welcome to talk to the artists after the performance. A Talk and parts of the performance will be broadcast some time later on a private Austrian radio channel.
Pay as you wish.
in einer 40minütigen Performance improvisieren die Malerin Astrid Rieder und der Cellist Claudius von Wrochem gemeinsam – jede/r in ihrem/seinem Metier.
Das von Astrid Rieder entwickelte und bereits zum 30. Mal vorgeführte Konzept Genre-übergreifender Improvisation führt zu einem Gesamtkunstwerk; Bild und Aufnahme können erworben werden.
Im Anschluss gibt es die Gelegenheit zu einem Gespräch mit den Künstlern.
Eintritt individuell
A joint improvisation lasting 40 minutes by the visual artist Astrid Rieder and the cellist Claudius von Wrochem will lead to a Gesamtkunstwerk; it is the 30th instalment of her interdisciplinary concept of mutual improvisational exchange. Painting and recording of the event can be purchased.
You are welcome to talk to the artists after the performance.
Pay as you wish.
Georg Friedrich Haas (*1953) • In iij. Noct. String Quartet No. 3 [2001] ca. 45'-60'
This composition is performed in total darkness. No stand lights, no exit lights, nothingness pure. The Kairos Quartett are located in the four corners around the audience playing from a memorized rule set.
A performance can last 60 minutes.
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This performance is made possible and managed by gVe (Gemeinnütziger Theater- und Konzertverein Erlangen) e.V.
Workshop on Contemporary Playing Techniques
Iannis Xenakis (1922-2001) • st/4 – 1,080262 [1955-62]
György Kurtág (*1926) • Quartetto per archi op. 1 [1959]
Brian Ferneyhough (*1943) • Streichquartett Nr. 2 [1980]
Georg Friedrich Haas (*1953) • Streichquartett Nr. 2 [1998]
Special requirements of the performer, perception of time, meter, and tempo/rhythm, notation (result or action)
Pitch
Timbre (incl. Estrada), Articulation, Pizzicato, Vibrato
Extended techniques and auxiliary tools
with members of the Kairos Quartet
Intro and Welcome
Purposes and Issues of Notation in New Music
Spectral Intonation
Lines of Tradition and New Complexity
Materia Prima, eine Veranstaltung im Rahmen des "Monats der zeitgenössischen Musik" der Initiative für Neue Musik in Berlin (D)
Giorgio Netti (*1963) • ) place ( (aus: ciclo dell' assedio) [2001]
Martin Daske (*1962) • Foliant 15 für Streichquartett [1989]
• Foliant für Blockflötenquartett [2018] (UA)
Markus Wettstein (*1963) • tinwood constructions für Blockflötentrio und gestrichene Metallobjekte [1917/18]
More on Facebook inm / field notes and Wordpress
Kairos Quartett
Wolfgang Bender und
Stefan Häussler – alternierende Violinen
Simone Heilgendorff – Viola
Claudius von Wrochem – Violoncello
Miako Klein – Blockflöte
Karolina Bäter – Blockflöte
Julia Andres – Blockflöte
Sebastian Elikowski-Winkler
- Und: nicht vergessen! –für Viola und Violoncello UA
Margarete Huber
Rituals in Outer Spacefür Viola und Zuspiel 2014
Rainer Rubbert
Idyllenfür Viola und Violoncello 1987
1. Calmo
2. Inquieto
3. Adagio
4. Aggressivo
5. Molto lento
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Frédéric Pattar
Sur le filfür Viola und Violoncello 2002 DEA
Julio Estrada
Yuunohui’yei op.E.18c für Violoncello solo 1983
Max E. Keller
Inselnfür Viola und Violoncello 2002
Mike Flemming – Viola /// Claudius von Wrochem – Violoncello
John Cage (1912-1992) • Thirty Pieces for String Quartet [1983]
Morton Feldman (1926-1987) • Structures [1951]
Terry Fox (1943-2008) • Berlino realized by Arnold Dreyblatt
Julio Estrada (*1943) • Yuunohui'ensemble op. E.18n [1983-1990]
Georg Friedrich Haas (*1953) • String Quartet No. 2 [1998]
Wieland Hoban (b. 1978): Rules of Engagement II: Al-Shifa (2014) for string quartet and fixed media
Simon Steen-Andersen (b. 1976): Study for string instruments #2 (2009) for string trio and whammy pedal
Conrado del Rosario (b. 1958): Rondeaux: On Floating Bridges (1992) for clarinet, bassoon, horn, violins, viola, violoncello and double bass
Lorenzo Troiani (b. 1989): Sanguinante. In nomine (2017) for string quartet
Salvatore Sciarrino (b. 1947): …da un Divertimento (1968–1970) for wind quintet, string quartet and double bass
Kairos Quartett
Stefan Häussler – violin (alternating)
Wolfgang Bender – violin (alternating)
Simone Heilgendorff – viola
Claudius von Wrochem – violoncello
Slowind
Aleš Kacjan – flöte
Matej Šarc – oboe
Jurij Jenko – klarinette
Jože Rošer – horn
Paolo Calligaris – fagott
Guest
Miha Firšt – kontrabass
Metod Tomac – Dirigent
Intérieur
Aurel G. Stroe (1932–2008): Quintandre (Hommage à Varèse) (1984) for wind quintet
Xiaoyong Chen (b. 1955): String Quartet No. 3 (2011)
* * * *
Georg Friedrich Haas (b. 1953): String Quartet No. 5 (2007)
Sebastian Stier (b. 1970): Intérieur (1993) for flute, oboe, clarinet, violins, viola, violoncello and double bass
Karlheinz Stockhausen (1928-2007): Treffpunkt (Aus den sieben Tagen) [1968]
Kairos Quartett
Stefan Häussler – violin
Wolfgang Bender – violin
Simone Heilgendorff – viola
Claudius von Wrochem – violoncello
Slowind
Aleš Kacjan – flute
Matej Šarc – oboe
Jurij Jenko – clarinet
Metod Tomac – horn, conductor
Paolo Calligaris – bassoon
Guest
Miha Firšt – double bass
Intérieur [de la musique] combines spatial compositions by composers of international standing for wind quintet (Birtwistle) and for string quartet (Haas) with the East Asian sonar beauty of Xiaoyong Chen's 3rd String Quartet and the darker microtonal harmonies of Intérieur by Stier.
Christian Ofenbauer (*1961) • Bruchstück IX. Vierter Streichquartettsatz [2010]
Song Ah Park (*1983) • Vier Bäume [2017]
Song Yang (*1985) • Der Sprung ins kalte Wasser [2017]
Claudius von Wrochem (*1965) • Gans Nackt für eine(n) Improvisationsmusiker(in) und summende Streicher [2018] UA
###
Wieland Hoban (*1978) • Hora'ot Pticha Be'esh [2013-14]
Lorenzo Troiani (*1989) • Sanguinante. In nomine [2017]
Wieland Hoban (*1978) • Rules of Engagement II: Al-Shifa for string quartet & fixed media [2014] UA
Kairos Quartett Johannes v. Wrochem, E-Gitarre
Wolfgang Bender • Violinen
Stefan Häussler • (alternierend)
Simone Heilgendorff • Viola
Claudius v. Wrochem • Violoncello
Nov. 13, 2017 Reception at the German Embassy
The Kairos Quartet performs Strawinsky and Schubert
Nov. 14, 2017 Opening of the El-Lissitzky Exhibition at Tretjakow Galleries
Sergej Newski (*1972) Fotografie und Berührung - SQ No.1 [2000] <Moscow Premiere>
Morton Feldman (1926-1987) Structures [1951]
Igor Strawinsky (1882-1971) Three Pieces for String Quartet [1918]
Premieres of Open Call Returns and Kairos Quartet repertoire as well as sonifications from the new music scene e.g. topographic data of the Berlin Wall, cello vibrations, GPS data
Iannis Xenakis (1922‐2001), st/4 – 1,080262 (1955‐62)
for String Quartet
Lula Romero „Dérive“ 2017, (Premier)
for String Quartet and Live Electronics in “Dérive” with GPS‐Data of the composer as flâneuse in public space
Luc Döbereiner, „Resolution“, 2017, (Premier)
for Cello, Transducer and Live‐Electronics
Knut Müller „Thorn“, 1996
for String Quartet
Martin Iddon „Mohl ip“, 2010
for String Quartet
/ / / BREAK / / /
Terry Fox, “Berlin Wall Scored for Sound”, (1980‐88)
interpreted and realized as an instrumental version for String Quartet by Arnold Dreyblatt, 2017
ZKM‐Selection: Marcus Schmickler „The Bonn Paternization“, 200
Kairos Quartet Recital
with senior high school students from the music gymnasium C. Ph. E. Bach, Berlin, tutor: Dr. Jens Renger
Larisa Vrhunc (*1967) • Vertical. Concerto grosso for string quartet and various performers [2015] <German Premiere of the Concerto Grosso version>
Marina Khorkova (*1981) • String Quartet No. 2 with Toy Piano–tape [2016] <WP>
Giorgio Netti (*1963) • tête for Cello and recorded voice (ciclo dell' assedio) [2008/09]
Simon Steen-Andersen (*1976) • Study #2 für Streichinstrumente und Whammy-Pedal [2011]
Giacinto Maria Scelsi (1905-1988) • 3rd String Quartet [1963]
ZOOM IN and ZOOM OUT are twin programmes; ZOOM OUT took already place on May 25 as part of the cultural programme accompanying the Deutsche Evangelische Kirchentag 2017.
ZOOM IN entices the listener to delve into the private and intimate aspects of sound. We will begin our recital with the Concerto Grosso Version of Vertical written for the Kairos Quartet by the Slovenian composer Larisa Vrhunc, supported by performers of the music gymnasium. Thus the quartet sound is being magnified. On goes the audio guide through aleatoric and every-day sounds compiled for this rendition at the start of the concert by the quartet members, leads over to Netti's unique Cello–Rap accompanying Alberto Giacometti's pre-recorded voice. Steen-Andersen's Quartet zooms very close to bow-hair and stick at work, characterized by specially prepared bows. Finally, we go to timeless and magical Scelsi. As most of Scelsi's work, his third string quartet is based on improvisations on the ondiola, an early electronic keyed instrument, recorded on tapes and edited, then realized for string quartet by Vieri Tosatti.
Thanks to the Berlin Marathon you can reach our venue only as a pedestrian, by bike, or by public transport.
Supported by the initiative neue musik berlin e.V. as part of the Month of Contemporary Music.
Kairos Quartet Recital with the Winners of the 2017 Vareler Composition Award
György Kurtág • Quartetto per archi op. 1 [1959]
Song Ah Park • Vier Bäume [Four Trees] <WP> - 1st Prize
Lorenzo Troiani • Sanguinante. In nomine [The Bloodthirsty One. In the name of] <UA> - 2nd Prize
Song Yang • Der Sprung ins kalte Wasser [The Jump Into the Deep End] <UA> - 3rd Prize
Franz Schubert • Quartettsatz in c minor D 703 ph [1820]
Georg Friedrich Haas • String Quartet No. 2 [1998]
2:00-3:30 Workshop for participants of the Kirchentag who are interested to join the Kairos Quartet for the first piece in their recital (see below) using their voices, their own instruments, or instruments made available by the Kairos Quartet for those who don't feel like vocalizing; no charge, no reading of sheet music, no particular music skills required. Stockhausen's concept piece is just a few lines of text. All we expect from our participants is openness and interest in a common experience.
Karlheinz Stockhausen (1928-2007) • Aus den sieben Tagen: Richtige Dauern [1968] Workshop participants with members of the Kairos Quartet
Julio Estrada (*1943) • Canto mnémico. Fugue in 4 Dimensions [1973/83] 5'30''
John Cage (1912-1992) • Twenty [Thirty] Pieces for String Quartet [1983] 20’
Georg Friedrich Haas (*1953) • String Quartet No. 5 [2007] 22' German Premiere
Knut Müller (*1963) • Thorn [1996] 9'
Supported by the initiative neue musik Berlin e.V.
18:00 Church service with the Kairos Quartet
György Kurtág (*1926) • from Quartetto per archi op.1
Julio Estrada (*1943) • Canto mnémico. Fugue in 4 Dimensions [1973/83]
The idea of this programme is to direct the focus of the audience to the over-all shape of the music presented and to compress all these many details as if one were viewing a map from a distance. So we looked for compositions with distinct "topographies": some were characterized by significant pauses or cuts (Haas, Müller), by a kind of tectonic construction (Cage, sporting three material levels, all in constant and independent motion), or by stressing the individual voice rather than the collective (Cage, Estrada). The audience will experience the concert from within as the musicians are positioned around the audience in all but the last piece of the programme. In combination with the workshop we aim to give everyone the feeling of being an active and integral part of the event as opposed to being a mere listener.
When we finally sit together as one would expect from a string quartet we will perform a piece which is inspired by a story by Lars Gustafson. It consists of one chord, often camouflages or performed in part, sometimes vanished. Whith glissandos constantly in flow one looses one's firm ground – until one recognizes it in the flow itself: omnis fluit / παντα ρει
Haas' string quartet No. 2 is the most-performed piece in the repertory of the Kairos Quartet approaching its 40th performance resp. production. Originally written for the Austrian Hagen Quartet who have since adopted the term "Haas intonation" for anything spectral it quickly became a staple composition for the Kairos Quartet who had already performed the much more demanding First String Quartet of 1997; incidentally, both works have been released with critical acclaim on CD (Edition zeitklang).
Haas on his Second: "My 2nd string quartet combines tonal, seemingly historicizing sound elements with microtonal shifts, the expansion and compression of time, and partly virtuoso, scintillating sounds. Time and again tradition shines through its fabric – but it is perceived as lost, distant, and dimmed...
ARGE Studio, Ulrike-Gschwandtner-Straße 5, 5020 Salzburg
BruchStück IX for string quartet
BruchStück VI (1995) for piano
BruchStück X (2015) for piano und string quartet
Kairos Quartet (Berlin)
Jan Gerdes piano
Moderation Simone Heilgendorff
This is an event in cooperation with ARGEkultur, kindly supported by "Campus Musick"
Christian Ofenbauer (born in Carinthia in 1961, composer and organist) has served as a professor of harmony and counterpoint at the University Mozarteum in Salzburg since 2001.
Reservation/Ticketing: ingeborg [dot] schrems [at] sbg [dot] ac [dot] at / +43 662 8044 2380
Informationen: W&K Forum Uni Salzburg, vermittlung-zeitgenoessischer-musik / facebook
Marina Khorkova (*1981) • Streichquartett Nr. 2 mit Toy Piano–Zuspiel [2016] UA / WP
Sampo Haapamäki (*1979) • Connection [2007] 12' EA / Swiss Premiere
Giorgio Netti (*1963) • ) place ( (ciclo dell' assedio) [2001] 27'
for prepared strings
Kairos Quartett Berlin
Begrüßung
Enno Poppe (*1969) • Zwölf [2014]
Laudatio
György Ligeti (1923-2006) • Sonate für Violoncello solo [1948-53]
Schlußwort
Claudius von Wrochem, Cello
Rrrrrrrrrrchrrrshrrrrrrrrffckrrrrrrrsmmmmmkfzkfzrahhhhhhhhhnggggg!
Astrid Rieger – Visual Artist
Simone Heilgendorff – Viola
Claudius von Wrochem – Cello
Organized by trans-Art in cooperation with ConTempOhr this
performance is financially supported by CampusMusick
You can watch the whole performance here.
This is our official debut gig. We perform on electric guitar (8string), cello and vocals. We, that is:
Johannes and Claudius von Wrochem
#vWro2 takes a guitar with too many strings attached, a cello that can’t keep its mouth shut,
and a number of small things to distract YOU and make us happy. We will certainly be surprised, you may be, too:
Music is a vast place, and we have been at a fair number of interesting spots in the past
www.facebook.com/MadameClaudeBerlin
Lübbener Str. 19 - 10997 Berlin
U-Bahn: Schlesisches To
György Ligeti (Hungary) Ten Pieces for wind quintet
Federico Gardella (Italy) Nebbiæ for fl (alto fl), cl (bass cl), vn, vla, vcl
Tošio Hosokava (Japan) Singing Garden for fl, ob, hf, pno, vn in vcl
György Kurtág (Hungary) Quartetto per archi
Larisa Vrhunc (Slovenia) Vertical (2015) Concerto grosso for string quartet and various performers
New windquintets of young slovenian composers ... and
Sergej Newski (*1972) • Fotografie und Berührung. String Quartet No. 1 [2000] slovenian premiere
Isamu Kanai (Japonska) Evento plastico (2015) for wind quintet
Sampo Haapamäki (Finska) Connection (2007) for string quartet
David Veber (Slovenija) NAJBOLJ PRIMERNA SKLADBA OD SLOVENCEV for wind quintet
Marina Khorkova (Rusija) String Quartet (2010) for string quartet
Diego Ramos Rodriguez (Španija) Inventio (2015) for wind quintet
Werke von Kompositionsstudierenden des Mozarteums für Streichquartett und Klavier
Compositions of Mozarteum students for string quartet and piano
Kairos Quartett und Jan Gerdes (Klavier), Berlin
Administrative Leitung: Prof. Christian Ofenbauer
Werke von Kompositionsstudierenden des Mozarteums für Streichquartett und Klavier
Compositions of Mozarteum students for string quartet and piano
Programm und Zeiten werden kurzfristig angekündigt. Freier Eintritt.
Schedule to be announced on short notice. Free access.
Kairos Quartett und Jan Gerdes (Klavier), Berlin
Administrative Leitung: Prof. Christian Ofenbauer